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Most of the successful films that utilize this technique have been released in the last five years or so. Christian has facilitated this trend with his "open matte master" laser-disc technique, where he is able to provide the consumer with the best of both worlds; the visually intact "pan and scan" aspect ratio of the theatrical release, the flexibility and ease of distribution that a conventional customer film master provides, and the high quality of the showing (colour and dynamic) that is afforded by the open matte process.

The video master needs to be made in closed cut mode. While there are several digital film projects that use the open matte technique, the video master made in closed cut mode takes advantage of all the lensing correction and other visual effects that have been already obtained by the normal completion process, thus improving the final result.

The video master is usually made with a much more substantial version of the original negative; the source material is used for all the shots that are referred to the final master. Since it is unattainable to do a closed cut of a 4K scan of a very large negative done on a 35 mm camera and use that as the source, it is done using a special 16/9 digital copy. After many iterations, the audio and visual effects are carried over into the consumer master. Since the 4K UHD is a 4:3 aspect ratio and not widescreen, the whole frame of the video master is cropped to fit 16:9 widescreen. d2c66b5586