The Stepford WivesMovie 1975
The Stepford WivesMovie 1975 ===== https://tinurll.com/2tkNxY
This 1975 original -- there is a 2004 remake starring Nicole Kidman -- brims with wit as it ribs knowingly at a culture of misogyny. Although some of the scenes in The Stepford Wives are as stiff as a starch-iron shirt, it all adds to the '70s kitsch charm of this classic manic movie. The subject of feminism is a juicy subject to pick apart here, and in retrospect, the audience is left with some questions. For example, which \"wave\" of feminism is this film surfing And what is the purpose of the apparent voyeurism of the stereotypically attractive women Ultimately it's about one woman's quest for independence on behalf of the modern American woman. But does it fall into its own trap of the male gaze, when behind the camera, only men are at the helm These are all valid questions, but at a time when the Women's Liberation Movement was in full swing, the film makes a noble attempt to juggle awareness of the imbalance of women's rights while representing a mood of female empowerment.
While the Stepford Wife meme derives from a 1975 film based on Ira Levin's 1972 novel, within a year of the film's release the phrase had been taken up to describe a general phenomenon: it was the term for what middle-class women didn't want to end up as, but with a camp accent, ensuring that those using it wouldn't be mistaken for earnest.
THE STEPFORD WIVES was released in 1975, in the middle of a decade characterized by big budget science fiction and disaster films. These included STAR WARS, CLOSE ENCOUNTERS OF THE THIRD KIND, THE BLACK HOLE, THE TOWERING INFERNO, THE POSEIDON ADVENTURE, and AIRPORT. In a historical decade noted for advances in the women's movement, Hollywood chose to emphasize male \"Buddy\" films such as THE STING, ALL THE PRESIDENT'S MEN, THE LAST DETAIL, DOG DAY AFTERNOON, and CALIFORNIA SPLIT. As Molly Haskell explains in From Reverence to Rape:
1. THE STEPFORD WIVES. Columbia Pictures, 1975. Director: Bryan Forbes. Screenplay: William Goldman, based on a novel by Ira Levin. Starring: Katherine Ross, Paula Prentiss, Peter Masterson, Nanette Newman, Patrick O'Neal, and Tina Louise.
The 1975 picture \"The Stepford Wives,\" based on Ira Levin's novel, was set in a seemingly perfect suburban community in which the men brought home the bacon while their wives, having been replaced by robots, waltzed around their spanking-clean kitchens in ruffled maxi dresses and floppy sunhats. The suggestion was that feminism and its concomitant thickets of armpit hair had threatened the natural order of things. Men longed for the old days, when women stayed at home and remained dewy-fresh, sexually submissive and properly granny-gowned at all times. The '60s were over, and even the possibly overrated pleasures of the sexual revolution had been forgotten: Time to be gettin' it on with Sunbonnet Sue.
That the film actually details the process and technology through which the women of Stepford are robotized differentiates it significantly from the original novel as well as the 1975 film. Levin references urban sprawl and environmental pollution while keeping the specifics of what happens to the wives vague, in typical thriller fashion, while the 1975 film adaptation adds images of the actual robots, having the protagonist Joanna murdered by her own double. In contrast to both of these, Oz engages more directly if loosely with science fiction imagery, presenting the excessively automated house, for example, where the refrigerator clamours that it is out of milk and checks your weight and body mass daily.
The female cast in a publicity still for 'The Stepford Wives', directed by Bryan Forbes, 1975. Left to right: Toni Reid, Carole Mallory, Tina Louise, Katharine Ross, Paula Prentiss, Barbara Rucker, Nanette Newman and Judith Baldwin.
The Margos are heading back to the Burbs with our long 70s flowing hair and obsession with waxing kitchen floors in the Ira Levin classic novel The Stepford Wives that was turned into a film in 1975 and directed by Bryan Forbes. Stepford, Connecticut is the fictional setting where families move in and within four months--the wives turn into robots who love, sex, cooking, and cleaning
Everyone knows what a Stepford wife is, but watching the 1975 movie that popularized the term is still a bracing experience. Based on the 1972 novel by Ira Levin, The Stepford Wives treats suburban conformity as a sort of slow-motion nightmare, engaging with contemporary issues of feminism and shifting values while telling a chilling story about the loss of identity.
We return to the world of famed novelist Ira Levine (Rosemary's Baby) to review the 1975 adaptation of his novel The Stepford Wives. This film follows New York City photographer Joanna Eberhart as she and her family relocate (at the behest of her husband Walter) to the suburb of Stepford. Idealized as a throwback to the bygone era of the 1950s before the Women's liberation movement, Joanna quickly discovers that the women in this town are not what they seem.
The novel was successful enough to be adapted into a 1975 feature film, directed by Bryan Forbes and starring Katharine Ross as Joanna, Peter Masterson as Walter, and Paula Prentiss as Bobbie. The script, by William Goldman, stayed relatively faithful to the original, with the major difference being a much more explicit finale that showed what was happening to the wives. In both versions, the \"wives\" turned out to be robot duplicates, which replaced the original women after their husbands had them murdered. Both the novel and film also had Downer Endings. 59ce067264
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